By William Carter

Photographer, Author, Jazz Musician

Posts Tagged ‘photographs

Hands Are Us (Part 1)

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Touching the Heart

Ruth and Olivia, 2012Archival Inkjet Print, ©William Carter 2012

Ruth and Olivia, 2012, Archival Inkjet Print, ©William Carter 2012

On September 11, 2012, I visited my beloved 97-year old Aunt Ruth. Her body systems were shutting down. Two of her children, Maureen and Susan, and one granddaughter, Olivia, were there. I took a few pictures, including the one above. Two nights later, Aunt Ruth passed away.

In the 1980s and ’90s I spend fifteen years photographing nudes and the body. For much of that I carefully avoided hands: they felt personal and unique, whereas the project was about universal forms. Eventually, though, hands started creeping in. I’m not sure if that was my decision or theirs. Several appeared in my 1996 book, Illuminations.

“Hands” is a project without a beginning or an end. Some were used with Indian poetry quotations and readings by Sramana Mitra. I used a shot of my own palm as the endsheets for my 2011 book, Causes and Spirits.

Here are some others:

Sramana's Hands, vintage silver print, ©William Carter 2002

Sramana’s Hands, vintage silver print, ©William Carter 2002

Appearance, 23/25 vintage silver print, ©William Carter 1983

Appearance, 9/25  ©William Carter 1983

Char, 3/25 vintage silver print, ©William Carter 1992

Char, 3/25 vintage silver print, ©William Carter 1992

Remember, 3/25 vintage silver print, ©William Carter 1990

Remember, 3/25 vintage silver print, ©William Carter 1990

Mystery (detail), Vintage Silver Print, ©William Carter 1990

Mystery (detail), Vintage Silver Print, ©William Carter 1990

Whisper, Vintage Silver Print, ©William Carter 1992

Whisper, Vintage Silver Print, ©William Carter 1992

Intimation, 3/25 Vintage Silver Print, ©William Carter 1991

Intimation, 3/25 Vintage Silver Print, ©William Carter 1991

Copyright statement: William Carter papers, © Stanford University Libraries. Click here for a detailed usage guide.

Written by bywilliamcarter

May 10, 2017 at 12:00 pm

Jazz + Photography (Part 3)

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A Spontaneous Collaboration

Strange bedfellows, you might say? In 1963 Lu Watters, Bob Mielke and Barbara Dane were each into separate scenes in the San Francisco trad jazz world. As was I: playing occasional gigs, while becoming professionally committed as a photographer and writer. More on this here.

What brought us together in one of those spontaneously rich, fleeting jazz moments was the decision by Watters (then retired) and Dane (who had been running her own San Francisco blues club called Sugar Hill) to make an album together as part of a protest movement aimed at stopping the California utilities agency from building a nuclear power plant at pristine Bodega Bay, north of San Francisco. For many reasons, the plant was never built. The recording session happened on December 1, 1963. My equipment was not yet the best, but the negatives have been in my files ever since (53 years and counting). Here are a few of those images.

Lu Watters Band recording "Blues Over Bodega"
The Lu Watters Band recording “Blues Over Bodega” in 1963. Personnel: Back row Bob Mielke, trombone; Lu Watters, trumpet; Bob Helm, clarinet; Barbara Dane, voice. Front row: Dave Black, drums; Bob Short, tuba; Frank Tateosian, banjo; Wally Rose, piano

 

Bob Mielke, Lu Watters, and Bob Helm
Bob Mielke, trombone; Lu Watters, trumpet; Bob Helm, clarinet at the 1963 recording session.

 

Lu Watters, Bob Helm, and Barbara Dan
Lu Watters, Bob Helm and Barbara Dane at the 1963 recording session.

 

Barbara Dane at the 1963 recording session
Barbara Dane at the 1963 recording session.
Lu Watters
Lu Watters on trumpet at the 1963 recording session.
Wally Rose
Wally Rose at the piano during the 1963 recording session.

 

Bob Helm
Bob Helm on clarinet at the 1963 recording session.

Copyright statement: William Carter papers, © Stanford University Libraries. Click here for a detailed usage guide.

Written by bywilliamcarter

April 26, 2017 at 3:20 pm

The Old Glory That Was Kodachrome

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70 Brilliant Years

How great it was — while it lasted, until 2012 — something like 70 years.

It still lasts archivally: those chromes retain their slightly salmon, yet accurate, saturated colors while so many others have long since faded. The film of choice for top magazines, many folks’ travel slides, and countless other applications. This post features some of my Kodachrome slides of the western U.S. from the 1960s on. (We hope to present a few international Kodachromes later; then eventually a selection from that fine new medium — digital color.)

We are fortunate to be living through a major transition in the history of photography. Five centuries ago, Western art was revolutionized by the invention of oil painting. Artists old enough to have been trained in older techniques like tempera, but young enough to master oil — Venetians like Titian, for instance — combined both skills in highly creative ways.  (See my earlier post, “Tone in Art — and in Life.”) So I’m always pleased to hear of today’s art schools continuing to teach the older “wet darkroom” alongside the newer digital technologies.

See also “Bound for Glory: America in Color,”  Kodachromes by photographers of the Farm Security Administration/Office of War Information, property of the Library of Congress.

All Kodachromes © William Carter

Murphy's, California c. 1970
Murphy’s, California c. 1970

Columbia, California 1970
Columbia, California 1970

Illinois, c. 1973
Illinois, c. 1973

Preservation Hall, New Orleans, circa 1986
Preservation Hall, New Orleans, circa 198

Preservation Hall, New Orleans, c. 1985
Preservation Hall, New Orleans, c. 1985

Preservation Hall, New Orleans, c. 1986
Preservation Hall, New Orleans, c. 1986

San Francisco, c. 1970
San Francisco, c. 1970

Granite, Montana, c. 1970
Granite, Montana, c. 1970

Silver City, Idaho, c. 1970
Silver City, Idaho, c. 1970

Copyright statement: William Carter papers, © Stanford University Libraries. Click here for a detailed usage guide.

Written by bywilliamcarter

April 3, 2017 at 6:00 pm

The Middle Americans (Part 8)

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Quiet Truths Near the Center of Our Lives

…prairie places..

Copyright statement: William Carter papers, © Stanford University Libraries. Click here for a detailed usage guide.

Written by bywilliamcarter

February 20, 2017 at 12:00 pm

The Middle Americans (Part 7)

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Quiet Truths Near the Center of Our Lives

…prairie people…

Copyright statement: William Carter papers, © Stanford University Libraries. Click here for a detailed usage guide.

Written by bywilliamcarter

February 6, 2017 at 12:00 pm

The Middle Americans (Part 6)

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Quiet Truths Near the Center of Our Lives

Copyright statement: William Carter papers, © Stanford University Libraries. Click here for a detailed usage guide.

Written by bywilliamcarter

January 23, 2017 at 12:00 pm

The Middle Americans (Part 5)

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Quiet Truths Near the Center of Our Lives

Copyright statement: William Carter papers, © Stanford University Libraries. Click here for a detailed usage guide.

Written by bywilliamcarter

January 9, 2017 at 12:00 pm

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