By William Carter

Photographer, Author, Jazz Musician

Posts Tagged ‘New Orleans roots music

Jazz Emerges Part 2

with 2 comments


Billie sings and plays, De De plays

Billie sings and plays, De De plays.

De De sings.

Blues Essential

Visible Roots of America’s Most Original Cultural Product

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In the jazz genome, the blues is essential.

Louis Armstrong administered his blues while performing open heart surgery on the whole world.

Miles Davis wove his kind of blues-isms amid the dark arteries and shadowy intersections of postmodern life.

Billie and De De Pierce? I just came to their house; they came to mine. Their house is your house.

Billie Plays

Billie plays

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Billie at home

Billie at home

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De De before going home

De De before going home

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PHOTO CREDITS ABOVE: 1. unknown 2. Marty Kaelin 3. Charles Stroud
4-5. William Carter

.PHOTO CREDITS BELOW: by William Carter
Mance Lipscomb, Oakland, California c. 1960

Mance Lipscomb, Oakland, California c. 1960

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Unknown bluesman, Berkeley, California c. 1960

Unknown bluesman, Berkeley, California c. 1960

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Carol Leigh, San Francisco, c. 1960

Carol Leigh, San Francisco, c. 1960

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Mama Yancey

Mama Yancey, San Francisco, c. 1960

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Sonny Terry, San Francisco, c. 1960

Sonny Terry, San Francisco, c. 1960

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Jimmy Rushing, San Francisco, c. 1960

Jimmy Rushing, San Francisco, c. 1960

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Manny Sayles, New Orleans, c. 1986

Manny Sayles, New Orleans, c. 1986

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Louis Armstrong, Ithaca, New York, 1962

Louis Armstrong, Ithaca, New York, 1962

Copyright statement: William Carter papers, © Stanford University Libraries. Click here for a detailed usage guide.

Jazz Emerges, Part 1

with 4 comments


notPHnotWC005 New Orleans Brass Bands 1950-1990

Visible Roots of America’s Most Original Cultural Product

A lifelong preoccupation with traditional New Orleans jazz inspired my book, Preservation Hall (W.W. Norton, 1991). While doing my own shooting, I uncovered a trove of historical photos I decided to mix with my own (sources available on request). Like the music itself, this project is a blend of old and new, personal and professional. Blogs, like recordings, add a fresh dimension to a traditional art.

In the 1970s and 80s I paid regular visits to New Orleans. I was invited to play with some of the brass bands. In the sweltering streets and shuttered funeral homes, I juggled a clarinet in one hand and a camera in the other – not easy to do, or forget.

Jazz was born in the 1890s when strutting brass men and parade drummers, performing street marches and wailing spiritual dirges, went indoors, or up onto park bandstands, for “sit down jobs.” There, the marches merged with country blues, parlor ragtime, and popular dance songs utilizing stringed instruments like the guitar and piano. By the early 20th century, in these cultural wetlands near the mouth of the Mississippi, a new music had been spawned: a spicy, varied gumbo of black, white, and Creole ingredients.

As jazz evolved worldwide, its earliest style was preserved in the city of its birth. Many first and second-generation players remained active into the 1960s and beyond. As younger devotees took over, the music changed subtly – some would argue for the worse – as the old decorum, dress codes, and refined musicianship gradually gave way, like the French Quarter, to a more touristic style. But that kind of regret for a faded past has always marked a city that remains unlike the rest of America.

For me, the photographs in this and succeeding posts evoke nostalgia for a host of friends – a whole subculture, really – now largely gone. Their music is part of me.

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Copyright statement: William Carter papers, © Stanford University Libraries. Click here for a detailed usage guide.

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